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Monthly Archives: November 2016
Monthly Archives: November 2016
It’s safe to say that if you’re involved in music, the last thing you think about is making war. That’s why it comes as a great surprise to discover that the world’s largest arms dealer, Lockheed-Martin, owns 184,000 shares of Pandora worth almost $2 million. To be sure, this is a drop in the bucket […]
Continue readingIf you’re lucky enough to have worked on a variety of music projects, you’re no doubt aware that many times you don’t receive the necessary credit. Even worse, sometimes everything from IMDB to Wikipedia gets your credits wrong. Something has to be done to make sure that the information is correct and thorough. That’s why […]
Continue readingNeil Young pulled his music off of every streaming service in 2015 because of the poor sound quality in favor of his own Pono service, but in a reversal, now he’s back. Although last May his music was made available on Tidal, now it can be found on both Spotify and Apple Music. Pono was […]
Continue readingHere’s the Music Industry News Roundup for the week of November 4rth, 2016. We’re coming to the end of the year, and as a result, starting to see a number of year-end stories. And it looks like the piracy argument will never die. Check it out. YouTube Red is a bomb. It only managed to sign up […]
Continue readingRarely does one chart say so much about how an industry goes as does this one from Fortune. It’s the revenue generated by the recorded music business over the last 40+ years, and it shows the staggering loses that it suffered with the onset of digital music, as well as how the industry has responded to […]
Continue readingSales of physical product are declining year after year yet record labels, artists and bands continue to release them. As formats that you can hold in your hand become much less desirable, it’s more difficult to get the public interested in purchasing them. The experimental San Francisco band Negativland has found a way to go beyond the usual value-adds included […]
Continue readingMost mastering engineers start in recording before they transition into mastering, but Gene Grimaldi took a different route, beginning his career at Sony’s New Jersey CD pressing plant instead. But Los Angeles called and Gene’s mastering journey began at the venerable Future Disc, from there eventually working his way up to chief engineer at Oasis Mastering. […]
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