Mixing monitors may be the hardest job in show business in that you have to keep so many people happy at the same time. Mark Frink, my guest on this week’s podcast, is so good at his job that he’s been trusted by some of music’s biggest celebrities, including Tony Bennett, The Three Tenors, the Zac Brown Band, and most recently, the Eagles.
In the interview, Mark describes how much psychology actually plays into mixing monitors, and he outlines several techniques that even studio engineers will find useful for studio cue mixes as well.
On the intro I’ll talk about the deal between Taylor Swift and Ticketmaster to cut scalpers out of the ticket mix that may be backfiring, as well as looking into Gibson’s increasing financial troubles.
Enjoy the show!