Tag Archives for " social media "
If you read my Production Blog, the you’ve probably seen my 10 Cool Holiday Gifts For Musicians post a few days ago. Here’s another gift guide, but this one concentrates just on music business and social media.
1. Music 4.1: A Survival Guide For Making Music In The Internet Age
You know that I’m biased about this, but I really believe that if you’re looking for one book that best outlines the new music business, Music 4,1 is it. With lots of great traditional and social media tips to help you market yourself successfully and efficiently, the book (now in it’s 4th edition) is currently used in music business courses in colleges and universities around the world.
2. Crowdstart: The Ultimate Guide To A Powerful And Profitable Crowdfunding Campaign
If you want to know the ins and outs about crowdfunding before you begin a campaign, there’s no better resource. There’s also a lot of great social media info here as well. Ariel Hyatt is the queen of social media PR and her Cyber PR company has been a huge help to hundreds of artists, so you might want to check out her other books as well.
3. All You Need To Know About The Music Business
This is the 9th edition of LA music attorney Don Passman’s excellent book and there’s a good reason why it’s been popular for so long. Let me put it this way, if you’re in the music business, this book is essential reading, since it outlines just about every business scenario that an artist might come up against. The best part is that it’s written in plain English so that even complex ideas (and there are lots of them in the music business) are easy to follow. Highly recommended.
4. The Music Business Registry
This is actually the site for a series of different specialized registry’s, including Film & TV, A&R, Publisher, Attorney, Music Blogs and more. If you need some contacts in the music business, this is a way to find them.
5. This Is Your Brain On Music: The Science Of A Human Obsession
This is indirectly about the business of music in that if you know the phycology of how your music works on your fans (and you, for that matter), then you’ll be in a better position to present and promote it to them. Fascinating!
6. Lynda.com Video Courses
Lastly, you’ll find all sorts of great business and software courses on Lynda.com, the absolute best portal for learning on the Web. If you’re into Social Media, Mixing, Recording, or Mastering, you’ll find some of my courses there as well, but just about anything else you can think of that revolves around tech or business is available there. Here’s a free 7 day trail pass.
If you’re interested in some big picture strategies about how to approach your online presence this is the book for you. Although some of the social aspects are a little dated, the approach to your online music and video promotion is still current.
Each of the above makes a great holiday gift, but don’t forget to treat yourself to a present as well!
As I’ve said many times here and in my book Social Media Promotion For Musicians, just being on a social network doesn’t mean that you’re using it effectively for promotion. There’s a mindset that’s need before you can use any network as a promotional tool. Here are 12 questions to ask yourself (thanks to this Time article) before you post to any social network that will help you focus your content for greatest impact.
1. Is the message educational, informational, or entertaining? Stop if it doesn’t fit into either of these categories.
2. Is the voice correct? Remember to stay within your brand and not get too personal.
3. Is it too long? Shorter posts get more engagement.
4. Is the URL correct? You did remember to include a link, right? Make sure you check that it’s working
5. Should I target a speciﬁc audience with this message? Sometimes it’s better to just address a specific portion of your audience or fanbase.
6. Did I use the right keywords and hashtags to maximize exposure? Keywords and hashtags are still important.
7. How many times have I already posted something today? Too many posts in the day may mean that this one could be ignored.
8. Did I spell check? Poor spelling is something that people notice immediately and it detracts from the message of the post.
9. Will I be okay with absolutely anyone seeing this? Stop and rewrite if you feel the slightest bit uncomfortable about something in the post. Follow your gut on this one.
10. Is this reactive communication or is it well thought-out? If you’re angry, take an hour to calm down before you post. A quick reactive post is how flame wars start.
11. Did I make the most of visual content—images, video, slides? Visuals increase engagement on almost all platforms.
12. Did I make the most of my update text—headline formulas, polls, quizzes? You only have so many chances for attention so make the most of them.
The best way to use social media as an effective promotion tool is to post great content. Follow these 12 questions and you’ll always be sure that you’re in the ballpark.
You can read more from Social Media Promotion For Musicians and my other books on the excerpt section of bobbyowsinski.com.
When it comes to social media promotion, the time of day that you post can be just as critical as the content that you’re posting. There are some generally accepted post times that apply to the various networks, but some new research has tweaked those a little. Hubspot took a look and came up with the best times to post.
Remember that we’re looking at primarily a United States audience. It’s best to combine Eastern and Central time zones, since that represents almost 80% of the U.S. population, so all the times below are Eastern. Obviously, for audiences located outside the U.S. you’d use the time zone that your audience is in. Let’s get into it.
1) The Best Times to Post on Facebook
The overall best time to post on Facebook is 3:00 p.m. on Wednesday, but other good times include 12:00–1:00 p.m. on Saturdays and Sundays and 1:00–4:00 p.m. on Thursdays and Fridays. Engagement rates are 18% higher on Thursdays and Fridays, and weekdays from 1:00–4:00 p.m. tend to see the highest clickthrough rates. Although the research says that Facebook use spikes by 10% on Fridays, I’ve personally not seen that happen. In fact, Friday always seems to be the worst day of the week for engagement, at least for me. The overall worst times tend to be before 8:00 a.m. and after 8:00 p.m.
2) The Best Times to Post on Twitter
The best times to post on Twitter are weekdays from 12:00–3:00 p.m. and at 5:00 p.m. The overall best day to post is again Wednesday and the weekends, which is also when the clickthrough rate is highest. According to the article, some businesses have also had success with 2:00–3:00 a.m., 6:00–7:00 a.m., and 9:00–10:00 p.m. post times, although I’ve personally found those times (except for 6a.m.) to be dead.
3) Best Times to Post on LinkedIn
LinkedIn is used by professionals, and they tend to use it mostly during working hours, and just before the workday starts or after it ends. That means that the best time to post is midweek from 5:00–6:00 p.m. Other optimal times include Tuesdays from 10:00–11:00 a.m., and Tuesdays, Wednesdays, and Thursdays from 7:30–8:30 a.m., at 12:00 p.m., and from 5:00–6:00 p.m.
As for the best day, Tuesdays tend to see the most clicks and shares, especially between 10:00–11:00 a.m., while Mondays and Friday’s see lower engagement rates than the rest of the workweek, which is typical of most social media. As you would expect, the worst time to post on LinkedIn is during the night, between 10:00 p.m. and 6:00 a.m.
4) Best Times to Post on Instagram
The best times to post on Instagram are Mondays and Thursdays at any time except between 3:00–4:00 p.m., which is a surprise. Videos tend to perform best any night of the week between 9:00 p.m. and 8:00 a.m., according to TrackMaven’s research, which is also a surprise.
These may be some times that work for others, but they may not work for you. It’s still best to use the above times as a guideline, and check other times as well to find the ones that best fit your audience.
Your email list is one of the most powerful online tools that an artist can have, but how do you build one if you’re just starting out or you’ve neglected it for too long? Here are 5 tips from my Social Media Promotion For Musicians book that provide an easy roadmap to a larger list.
“Just like with your social media follows and Likes, building your mailing list takes some work. In general it comes down to the following:
1. Trust in your site. If your site or social page makes people uncomfortable in any way, chances are they won’t give you their email address.
2. An incentive of some kind. Generally speaking, people don’t want to give their address out unless they’re get something in return. Don’t think about the fact that you’re getting their email address, think of what’s in it for the fan. He only may care about regular communication, but usually access to something free (a song, ticket, ebook, article) gets better results.
3. Make it easy by not asking for too much information. The more info you ask from a potential subscriber, the greater the chance that he’ll give up while subscribing. Asking for just an email address gets the greatest response, but adding a first name allows you to include a personal greeting.
4. Cross-promote across social media, business cards, banners, and anywhere else you can think of. Anywhere you get a chance to mention your email list, do so.
5. Reminders in your content. Mention your mailing list in any podcasts, blogs, or videos, because sometimes even if it’s right in front of them, a reminder is still needed.
Your email list is extremely powerful for communicating, interacting, and promoting to your fans. Put sufficient time and effort into it and you’ll be richly rewarded.”
By the way, you can join my list over on the right.
You can read more from my Social Media Promotion For Musician’s book and my other books on the excerpt section of bobbyowsinski.com.
Twitter has made an investment in SoundCloud for a reported $70 million and if you’ve been following the story between the companies, you have to ask yourself “Why now?”
About two years ago Twitter almost acquired SoundCloud before walking away at the last minute, and an acquisition certainly would have made a lot more sense at the time, even though it might not have changed the futures of either company.
Back then Twitter wanted to capitalize on its high profile music users like Taylor Swift, Justin Bieber and Katy Perry, who had massive followings on the service (and still do) but weren’t able to take advantage by directly serving up their music to them. SoundCloud was struggling with both monetization issues (which still exist) and licensing problems, and theoretically could have provided the infrastructure for Twitter to transition to at least a partial music service.
Many think that Twitter was better off for walking away from the deal and keeping the focus on its core business, which in theory worked fine except for the fact that the company’s user base has plateaued in the meantime even with a focused agenda not diluted with delivering music.
SoundCloud has actually come a long way in that it now has signed licenses with the three major record labels, and has since worked hard to roll out its $9.99 monthly subscription service called SoundCloud Go. Still, it’s a cash-starved company and needs another round of funding to stay alive, so having Twitter as an investor in this round is most welcome.
That said, the benefit for Twitter isn’t as apparent. It’s not getting any of the technical goodies that come with an acquisition, and it’s buying a piece of a company that essentially hasn’t grown in valuation since its last go around.
In fact, out of all the music streaming companies currently in the space, SoundCloud may be the most baffling. It’s long been a boon to artists, bands and songwriters as a tool for free music distribution, and at that it may very well be #1 in the space. That market isn’t large enough to add enough subscribers to make the platform go however, and may be tapped out already. Attracting regular music consumers to its paid Go service may be limited to electronic music fans, since the platform is a favorite of DJs, but that genre seems to have plateaued as well. [Read more on Forbes…]
This week’s guest on my Inner Circle Podcast is Rick Barker, who helped launch the career of Taylor Swift as her first manager. In the interview, Rick provides an overview of how Taylor became such a huge star, and gives us some insights into how the music business has changed since she hit the scene.
Rick is now is the social media mentor on American Idol, and offers a great Social Media For Music video full of tips and tricks on how to use Facebook, Twitter and YouTube to help you promote your music. Rick is cutting edge in this regard, and taught me a few things I didn’t know myself.
In the intro I’ll take a look at how the record labels are now changing their marketing strategy away from the short product release window to a “continuous loop,” and how the fifth Beatle Sir George Martin changed the finances of the music business.